LANGELLE PHOTOGRAPHY

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¡Buen Vivir! Gallery for Contemporary Art announces a special Artist’s Talk for the show Climate Change, System Change, Personal Change by artist Ashley Powell on First Friday, April 1 at 7 p.m. The gallery is located at 148 Elmwood Avenue in Buffalo, NY’s Allentown District.

Artist’s Talk: Powell will discuss her work and its relation to environmental racism, a topic of special relevance right now in light of the rising awareness of rising rates of lead poisoning in poor children and children of color in Flint Michigan, as well as right here in Buffalo.  Powell’s installation challenges people to think about environmental racism and classism.

Artwork: 2016 Ashley Powell, The Solution (To All Our Problems) Water Filter - 2016

Artwork: 2016 Ashley Powell, The Solution (To All Our Problems) Water Filter – 2016

The show Climate Change, System Change, Personal Change includes two interrelated exhibits:

       • Black on the Ground, White in the Air, artwork from Ashley Powell
       • Climate Change—Realities and Resistance, by international photographers from the Critical Information Collective makes its US debut after hanging at the UN Paris climate summit in December

The artist’s talk will be held on First Friday, April 1 at 7 p.m. at the ¡Buen Vivir! Gallery for Contemporary Art, 148 Elmwood Avenue in Buffalo. The gallery will be open for First Friday from 6-9 p.m.

Wine and hors d’oeuvres provided. The show runs through April 29.

For further information please contact Kip Doyle, Media Coordinator, +1.716.867.4080  <[email protected]>

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Note: This comes from The Public, a widely read weekly in the Buffalo, NY region. I want to point out that Climate Change: Realities and Resistance is an international exhibit first displayed at the UN climate negotiations in Paris last December. The ¡Buen Vivir! Gallery is pleased to host it’s first viewing in North America. The photography exhibit was curated by the Critical Information Collective.  – Orin Langelle

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Photo: Luka Tomac [Croatia] Indigenous protestors at UNF climate negotiations in Cancun, Mexico (2010)

Photo: Luka Tomac [Croatia] Indigenous protestors at UNF climate negotiations in Cancun, Mexico (2010)

by Evan James

[ART] The ¡Buen Vivir! Gallery presents a thought provoking look at some of today’s most troubling issues in Climate Change, System Change, Personal Change. Intended to explore the causes of climate change, and how racism, classism, and environmental destruction play into it, this show contains Climate Change: Realities and Resistance, a national exhibit featuring pictures from climate photographers, and Black on the Ground, White in the Air, an exhibit from artist Ashley Powell who made national waves with her “White Only” art project at UB. This exhibit opens Friday, March 4 running from 6pm to 9pm, but the exhibit will be on display until April 29.

When:
Fri Mar. 4, 6:00pm

Where:
Buen Vivir

148 Elmwood
Buffalo, NY

This article can be found in The Public here.

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The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo ©: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

Paris, France – Telling the story of the growing global demand for climate justice, featuring images from photographers in Australia, Croatia, Romania, the UK and the USA. This exhibition is on display in Paris during the UNFCCC COP 21 negotiations, at the Climate Action Zone (ZAC), 7-11 December. The address is Room Ecuries C, Centquatre, 5, rue Curial, 75019 Paris. (The closest metro stations are Stalingrad and Riquet.)

It includes images from the following Critical Information Collective photographers, in panels of six images: David Tao (Australia), Luka Tomac (Croatia), Bogdan Bousca (Romania), Orin Langelle (USA), Jason Taylor (UK), and JudithDeland (Australia). There is a seventh panel comprising images from Stephen D Melkisethian (USA), Susan Melkisethian (USA), Joseph O Holmes (USA) and Ronnie Hall (UK).

For the exhibit, please go to UN Climate Conference of the Parties 21 (COP 21) Exhibition: Climate Change—Realities and Resistance

The second showing of this exhibit will be at the ¡Buen Vivir! Gallery in Buffalo, NY. The exhibit opens there on 4 March 2016. That show will include work by artist Ashley Powell.

Notice that Orin Langelle, Buen Vivir! Gallery director, has one of the panels, Struggles for Justice, with six photographs in the Paris show, that is coming to Buffalo.

 

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EXHIBIT PREVIEW: STRUGGLES FOR JUSTICE

From: Step Out Buffalo

BY BRETT SMITH / ART, CULTURE & ARTS / MARCH 31, 2015

Pikes Peak – This activist was arrested for handing out fliers that urged the public to write their senators and congressmen about the Kearsarge North Timber sale in the White Mountain National Forest of NH. The arrest occurred in North Conway, NH, after a Northeast EF! Regional Rendezvous. / Photo Credit: © PhotoLangelle.org

This activist was arrested for handing out fliers that urged the public to write their senators and congressmen about the Kearsarge North Timber sale in the White Mountain National Forest of NH. The arrest occurred in North Conway, NH, after a Northeast EF! Regional Rendezvous. / Photo Credit: © PhotoLangelle.org

The rise of social media and the ubiquity of mobile devices allow us access to protests around the world and in real time. However, just 25 years ago – only photographers like Orin Langelle could give society a glimpse of the regional protests taking place in the forests of the MidWest or slums of England.

Starting this Friday, April 3, Langelle’s photography will be on display in Struggles for Justice: Forests, Land and Human Rights – Late 80s to Late 90s. The opening reception for the exhibit is taking place as a part of the opening of the ¡Buen Vivir! Gallery and Allentown’s First Fridays.

Langelle, an Allentown resident, has been documenting social change since the 1970s through “concerned photography,” or the idea that photography itself can be an agent of change. He recently told me that while the point of protesting is to achieve a result, sometimes the act of speaking out itself and its documentation can be just as powerful.

“It’s the struggle that’s important,” Langelle said. “Phil Ochs, the old folk singer, once said that it’s not about winning – it’s about the act, to show that the human spirit is alive.”

Looking over the photos from the exhibit, it’s apparent that Langelle’s lens was able to capture a range of scenes, from desperation to absurdity, in the span of just a few years.

Cree Elder Woman in Whapmagoostui (1993) in the James and Hudson Bay regions of Northern Quebec, Canada. One of the people involved in the day-to-day struggle against the multinational Hydro-Quebec. The people were already impacted by the nearly completed La Grande (Phase 1) Project and also with the people fighting to stop Phase II, the Great Whale Project. Hydro-Quebec’s La Grande project dam that flooded thousands of hectares on Cree land, displacing all Cree in that area. An untimely water release from this dam drowned 10,000 migrating caribou. / Photo Credit: © PhotoLangelle.org

Cree Elder Woman in Whapmagoostui (1993) in the James and Hudson Bay regions of Northern Quebec, Canada. One of the people involved in the day-to-day struggle against the multinational Hydro-Quebec. The people were already impacted by the nearly completed La Grande (Phase 1) Project and also with the people fighting to stop Phase II, the Great Whale Project.
Hydro-Quebec’s La Grande project dam that flooded thousands of hectares on Cree land, displacing all Cree in that area. An untimely water release from this dam drowned 10,000 migrating caribou. / Photo Credit: © PhotoLangelle.org

In 1993, he was able to capture the heart-wrenching image of an older Cree native woman who was involved in a day-to-day struggle against Hydro-Quebec, the utility that displaced thousands of Cree with the construction of a massive dam project. In 1989, his camera snapped the image of mostly naked people from a group called Earth First! dancing in the New Mexico desert after declaring war on the US.

On top of a tripod during a Forest Activist Training Week in northeast VT. (1998) The Forest Activist Training Weeks lasted many years and hundreds of activists were trained in non-violent direct action, including blockading, banner making, climbing, tree-sitting, and tripod construction. / Photo Credit: © PhotoLangelle.org

On top of a tripod during a Forest Activist Training Week in northeast VT. (1998) The Forest Activist Training Weeks lasted many years and hundreds of activists were trained in non-violent direct action, including blockading, banner making, climbing, tree-sitting, and tripod construction. / Photo Credit: © PhotoLangelle.org

One of the photos included in the exhibit, taken in 1998, is of a massive tripod that protesters used to block various roadways. However, this technique has fallen out of favor as authorities have learned how to safely bring down the tripod by cutting slices out of each leg in succession, causing it to lower slowly to the ground.

SOB_large 38 tripod-2
On top of a tripod during a Forest Activist Training Week in northeast VT. (1998) The Forest Activist Training Weeks lasted many years and hundreds of activists were trained in non-violent direct action, including blockading, banner making, climbing, tree-sitting, and tripod construction. / Photo Credit: © PhotoLangelle.org

Langelle told me he has seen a lot change in protests over the years, the biggest change coming after 9/11. After the terror attacks and subsequent rolling out of anti-terror measures in law enforcement, Langelle said he noticed a scaling back of protester tactics.

“It’s had an effect,” he said. “But I’m seeing a lot of young people that are becoming a lot more militant. I think there’s probably going to be a lot of protests around the UN meetings in Paris in late November, early December. I’m not really sure what’s going to happen.”

“I don’t want to say (protesters) are going to be more aggressive, but maybe not as polite,” he added.

As far as exhibit visitors go, Langelle said he wants people to walk away thinking about the long history of protest culture and how its documentation can shape that way we look at society.

For more information on Struggles For Justice: Forests, Land and Human Rights and ¡Buen Vivir! Gallery, visit photolangelle.org/buen-vivir-gallery.

Struggles For Justice: Forests, Land and Human Rights – Late 80s to Late 90s

Where: ¡Buen Vivir! Gallery @ 148 Elmwood Ave. in Buffalo

When: Opening Friday April 3

Time: 7-9 p.m.

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