LANGELLE PHOTOGRAPHY

Using the power of photojournalism to expose social, economic and ecological injustice

Posts from the ‘Environmental Portrait’ category

Image: Santiago Chile – On International Human Rights Day, Dec 10, 2019 people in Chile protested the 400+ eyes lost to the Carabineros de Chile (National Police) during the days of uprising in Chile. Photo: Langelle/GJEP

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GLOBAL JUSTICE ECOLOGY PROJECT

For Immediate Release 06/15/2020                      For More Information +1.314.210.1322

From Chile to Minneapolis: Use of ‘Less than Lethal’ Weapons by Police Draws Criticism as Means to Intimidate and Silence

New York – On Saturday, May 30, Brandon Saenz reportedly lost an eye and seven teeth when he was hit by so-called less than lethal munitions (in actuality less lethal) fired by police. Saenz was reportedly struck by a rubber bullet like munition when the Minneapolis police fired less lethal weapons at people peacefully protesting the killing of George Floyd at the hands of the Minneapolis police.

“Hearing about the loss of an eye by Saenz immediately brought to my mind what happened prior to the COVID-19 quarantine during the peoples’ uprising in Chile,” said Orin Langelle, a GJEP photographer who documented the protests in Chile from Nov 22 to Dec 17 last year for Los Angeles’ Pacifica Radio. “The Chilean National Police targeted the heads and eyes of civilians when they used shotguns to fire rubber-coated metal pellets into their faces.”

“Over 400 people suffered serious eye injuries and some have been rendered completely blind,” said Langelle. “The stories of protesters in the U.S. and Chile about these less lethal munitions show the similarities of militarized police forces attempting to put down popular resistance to injustices in both South and North America.”

Ferguson, MO native and filmmaker, Chris Phillips, was documenting protests in Minneapolis over the killing of George Floyd when he had rubber bullets fired in his direction several times.  He was also hit in the leg by a flash bang/stun grenade during his work to video protests.

Phillips was one of the first professional videographers to capture events and protests surrounding the 2014 killing of Michael Brown. “From my experience filming in the Ferguson and Minneapolis protests, projectiles and chemical munitions have been used liberally, and often it is not preceded by any dispersal order or direction for people to go,” said Phillips.

Phillips believes the way in which less lethal munitions are being used currently seems to be illegal. “Without those directives, it is safe to assume that firing projectiles into a crowd that has the Constitutional right to assemble and protest, and not taking into consideration occupants and residents that are uninvolved in these demonstrations, makes it reckless, alluding to the purpose of serving more of a retaliatory purpose than the intent of keeping the public safe.”

Image from Phillips Instagram page: Phillips holding rubber bullet that was shot in his direction during his work as a filmmaker in Minneapolis.

Chris Phillips is principal director of the Maverick Media Group.

http://www.maverickmediagroup.net/

This indigenous Mapuche man was shot in the head with metal-filled rubber pellets by the Carabineros de Chile (national police) earlier in the morning on November 28, 2019. He was part of a Mapuche land occupation. Carabineros fired metal-filled rubber pellets and tear gas injuring several people at the land occupation.

Orin Langelle is a photojournalist with over five decades of experience.

https://photolangelle.org/

 


PROYECTO DE JUSTICIA ECOLÓGICA GLOBAL 

Difusión inmediata 06/15/2020                          Para más información +1.314.210.1322

Desde Chile a Minneapolis: el uso policial de armas ‘sub-letales’ genera críticas por convertirse en medios para intimidar y silenciar

Nueva York – El sábado 30 de mayo Brandon Sáenz perdió un ojo y siete dientes, según informes, cuando fue alcanzado por un proyectil de las llamadas municiones sub-letales (en realidad, ‘menos letales’) disparadas por la policía. Sáenz fue golpeado por una bala de goma cuando la policía de Minneapolis disparó su armamento sub-letal a las personas que protestaban pacíficamente por el asesinato de George Floyd a manos del mismo cuerpo policial.

“Al conocer el caso de la mutilación del ojo de Sáenz, pensé inmediatamente en lo que pasó justo antes de la cuarentena por el COVID-19 en las manifestaciones populares en Chile”, comentó Orin Langelle, un fotógrafo del Proyecto de Justicia Ecológica Global (GJEP) que documentó las protestas en Chile entre el 22 de noviembre y el 17 de diciembre del año pasado para Pacifica Radio de Los Ángeles. “La Policía Nacional de Chile disparó a la cabeza y a los ojos de los manifestantes utilizando escopetas con munición metálica recubierta de goma”.

“Más de 400 personas sufrieron heridas oculares graves y algunas quedaron completamente ciegas”, dijo Langelle. “Las historias de los manifestantes en Estados Unidos y Chile sobre el uso de estas municiones sub-letales dejan en evidencia las similitudes entre las formas en que los cuerpos de policía militarizada intentan aplastar la resistencia popular ante la injusticia tanto en América del Norte como en América del Sur”.

Imagen: Santiago de Chile- Día internacional de los Derechos Humanos, 10 de diciembre de 2019. Los manifestantes denunciaban los más de 400 ojos mutilados durante las intervenciones de los Carabineros (Policía Nacional) durante los días del levantamiento Fotografía: Langelle/GJEP

Chris Phillips, director audiovisual originario de Ferguson, en Missouri, estaba documentando las protestas en Minneapolis por el asesinato de George Floyd cuando le dispararon varias veces con balas de goma. También fue alcanzado en una pierna por una granada aturdidora mientras grababa las manifestaciones.

Phillips fue uno de los primeros cámaras profesionales que grabaron los eventos y protestas que tuvieron lugar en 2014 a raíz del asesinato de Michael Brown. “Mi experiencia después de grabar las protestas de Ferguson y Minneapolis es que los proyectiles y municiones químicas se han usado libremente y, con frecuencia, sin cualquier orden o indicación previa para que la gente se dispersase”, comenta Phillips.

Phillips cree que la forma en la que se están usando actualmente las municiones sub-letales parece ilegal. “Sin esas indicaciones, es fácil concluir que resulta temerario disparar proyectiles hacia gente que está ejerciendo su derecho constitucional de reunirse y protestar, sin contar con los residentes y viandantes ajenos a las manifestaciones, siendo más bien una acción de retaliación y no para preservar la seguridad de las personas”.

Imagen de la página de Instagram de Phillips: Phillips sujeta una bala de goma disparada hacia él mientras trabajaba grabando en Minneapolis.

Chris Phillips es Director Principal de Maverick Media Group.

http://www.maverickmediagroup.net/

A este indígena Mapuche los Carabineros de Chile (Policía Nacional) le dispararon en la cabeza con munición metálica recubierta de goma durante la mañana del 28 de noviembre de 2019. Formaba parte de una ocupación de tierras por Mapuches. Los Carabineros dispararon goma con interior metálico y gases lacrimógenos causando heridas a varias personas en la ocupación de tierras.

Orin Langelle es un fotoperiodista con más de cinco décadas de experiencia.

https://photolangelle.org/

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This video includes many of my photographs – Orin Langelle

This video was shot over the week of 25 November, during the trial of Mapuche Lonko Alberto Curamil over manufactured charges that he was involved in a robbery.

Lonko Alberto Curamíl during court hearings in Temuco, Chile               photo: Orin Langelle/GJEP

In fact, his arrest and subsequent year and a half in jail awaiting trial are understood to have been retribution for his role in leading a campaign that stopped two hydroelectric projects on the Rio Cautín, a sacred river to the Mapuche, the headwaters of which start in the snowfields of the Lonquimay volcano.

Rio Cautin. The Lonko’s role in lead a campaign that stopped two hydroelectric projects on the Rio Cautín, a sacred river to the Mapuche, the headwaters of which start in the snowfields of the Lonquimay volcano. photo:Langelle/GJEP

In the video, his attorney Rodrigo Román speaks about the case and the greater issue of state repression against Mapuche people, whose land has long been the target of expropriation for industrial timber plantations.  As another Mapuche Lonko explained, “first they stole our land, now they want to steal our rivers.”

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Also please visit Mapuche Lonko Alberto Curamíl Acquitted of All Charges

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Photojournalist Orin Langelle takes a break by graffiti celebrating Victor Jara in Santiago, Chile. Langelle has been photographing the frontlines of the peoples rebellion in Chile. The musician Jara, a Chilean hero, was murdered by the regime of dictator Augusto Pinochet. photo: Petermann/GJEP

PLEASE FOLLOW GLOBAL JUSTICE ECOLOGY PROJECT & THE BIOFUELWATCH TEAM IN CHILE:

CHILE

CLIMATE NEWS

 

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2019 Goldman Environmental Prize winner to walk out a free man

Lonko Alberto Curamíl during court hearings in Temuco, Chile               photo: Orin Langelle/GJEP

Temuco, Chile – On 13 December the Court of Temuco acquitted Lonko Alberto Curamíl and Werken Álvaro Millalén of all charges, allowing the Goldman Environmental Prize winner to walk out a free man.
His daughter Belén Curamil said, “I am very happy because we knew they were innocent, both the lonko Alberto Curamil and the werken Álvaro Millalén. If they were in prison for so long, it is because they raised their voices and fought for our territory, for the freedom of our Mapu, the freedom of our rivers and the freedom of the people and the Mapuche people.”  Belén Curamil accepted the Goldman Prize on behalf of her father, because he was imprisoned awaiting trial.
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22 November to 6 December 2019 

This young Mapuche is from the community of Quilape Lopez re-occupying ancestral lands that were stolen. Elders say the young are the future of the Mapuche as is the land. photo: Langelle/GJEP

I Can Still Spit

Field Notes – I landed in Santiago, Chile on 22 November from Buffalo, NY via Toronto with Anne Petermann. Anne is the Executive Director of Global Justice Ecology Project and we are married life partners. We crashed for a couple of hours in Hotel Forestal. That afternoon we met up with Gary Hughes from Biofuelwatch and we hit the ground running to start covering, exploring and understanding the peoples’ rebellion in Chile.

We are the team for CHILE CLIMATE NEWS. My photos start here in Santiago and the diaries cover that day of arrival and the street protest we joined, and are followed by our subsequent journey to Temuco, Curacautin, and the Mapuche land occupations at Liempi Colipi and Quilape Lopez, and eventually back to Santiago. In Temuco we met the other partner of the team, Alejandra Parra from RADA, the Environmental Rights Action Network.  We met Alejandra back in 2004 when we first came to Chile to work with the Mapuche group KONAPEWMAN on the problem of genetically engineered trees and industrial tree plantations.

On this journey we covered marches against a toxic new waste-to-energy incinerator planned for Mapuche territory (being promoted as “green renewable energy,” a powerful women’s march in Temuco, land occupations in remote Mapuche territory where we spent good times with the kind and generous communities of Liempi Colipi and Quilape Lopez and the hard times when members of the Liempi Colipi occupation called to tell us the Carabineros de Chile (national police) had raided their community, using tear gas and shooting people with rubber coated metal pellets. We dropped everything and went to the community.

More copy after the video produced by Global Justice Ecology Project’s Steve Taylor.

I Can Still Spit continued…

Okay WTF does ‘I can still spit’ mean? Gary Hughes from our team told me early on in the trip that if you are afraid, as long as you can still spit, it’s ok. If you can’t spit, you better get out of whatever situation you’re in very quickly and maybe you shouldn’t even be where you are. I have questioned a few times if I should have been in particular situations. When the Carabineros came charging at us from the middle of nowhere, where people have been shot and then in other situations when I was choking from teargas, I did briefly question why I was there. But I could still spit. I had to be there because that is what I do. It is what I have done for 50 years now.

The reason I could still spit was because of the people. With the Mapuche, who welcomed us, not only into their community that also fed us, but onto the front lines when no one knew what the outcome would be if the Carabineros attacked the occupation. I could still spit because I knew and deeply felt I was part of something bigger than myself.  I could spit because, although the adrenaline was pumping, although I fell and injured my leg climbing over a blockade, I was with strong, kind and generous people.

And then I knew I could continue spitting (at the elites and their police) back in Santiago the evening of 6 December when the Plaza de la Dignidad lit up with red flares, fires and lasers. The exuberance of the scene. The hope.

I’m putting these photos and diary together after International Human Rights Day on 10 December where I covered the activities in Santiago, and where the authorities did anything but honor human rights, including critically injuring a 15 year old girl with a teargas canister to her head. Visuals: How Chile Dealt with International Human Rights Day.

We originally planned to come to Chile when we heard the UN Framework Convention on Climate Change (UNFCCC) COP25 would be here. For Anne and I, after covering so many COPs, from our first COP in Buenos Aires in 2004, then to Montreal, Nairobi to Bali, Poznan, Copenhagen, Mexico, and our final COP in Durban in 2011, coming back to Chile was to stand up against the final nail being driven into life itself with the capitalist’s scheme for the total commodification of Earth and all its inhabitants. A scheme greenwashed with the name “natural climate solutions” – solutions for corporations to use nature to maintain business as usual while pretending to address climate change through biodiversity and carbon offsets. The same old same old, but with new shiny packaging. Plus, we knew Chileans protesters knew how to throw a party. This was before the uprising began. Little did we dream we would walk into a revolution-in-process.

I was accredited as media from the UN climate COP25 originally scheduled for Santiago, Chile. Due to the popular rebellion in Chile and the government’s desperate desire to hide its human rights crimes–like rape, torture and 350+ eyes lost to carabinero shotguns, COP25 was moved to Madrid, Spain. I also received UN accreditation there. I chose to come to Chile and photograph the people in resistance instead of going to Madrid.

Madrid is the uplifting of the neoliberal model to use false solutions to climate change – Chile is the fight against that neoliberal model.

I will still spit because I must.

Photojournalist Orin Langelle takes a break by graffiti celebrating Victor Jara in Santiago, Chile. Langelle has been in Chile photographing the frontlines of the peoples rebellion, and has documented movements for struggle around the world since 1972. The musician Jara, a Chilean hero, was murdered by the regime of dictator Augusto Pinochet, under whose regime neoliberalism was ushered in. photo: Petermann/GJEP

PLEASE FOLLOW GLOBAL JUSTICE ECOLOGY PROJECT & THE BIOFUELWATCH TEAM IN CHILE:

CHILE CLIMATE NEWS

 

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Cecelia Rodriguez, then-US Representative for the Zapatista Army of National Liberation of Mexico speaks against neoliberalism and the Global Elite at a World Bank protest in Washington, DC in 1995. PhotoLangelle.org

“Human beings are not responsible for global warming,” said Secretary Víctor Manuel Toledo Manzur, but elite capitalists and industry powerbrokers are.

Mexico’s Environment Secretary Víctor Manuel Toledo Manzur speaking on Wednesday, May 29, 2019. “Human beings are not responsible for global warming, as a superficial environmentalism and uncritical science would like to tell us,” said Toledo. “The responsible are a parasitic and predatory minority, and that minority has a name: neoliberalism.”

In a scathing rebuke to the elite capitalists and politicians who largely control the global economic and energy systems, Mexico’s newly-appointed environment secretary on Wednesday pointed a stern finger at the “parasitic and predatory neoliberals” for being the key culprits behind the planetary climate crisis.

“We can defend life, or we can continue destroying it in the name of the market, technology, progress, development, [and] economic growth.”
—Mexico Environment Secretary Víctor Manuel Toledo Manzur

As the Mexico News Daily reports, the public comments by Secretary Víctor Manuel Toledo Manzur were his first since his appointment by President Andrés Manuel López Obrador earlier this week and seen as a direct challenge to previous Mexican governments which sacrificed the nation’s environment to the interests of industry.

“Human beings are not responsible for global warming, as a superficial environmentalism and uncritical science would like to tell us,” said Toledo. “The responsible are a parasitic and predatory minority, and that minority has a name: neoliberalism.”

To read the full article, click here

 

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Spring 2019

April 17 – Mayday

University of Mount Union – Alliance, Ohio

Buffalo, NY, 26 January 2019 – Protester chanting, “Whose streets, our streets,” in front of vehicle. Extinction Rebellion Buffalo blocked intersection in one of Buffalo’s shopping districts because of the extreme weather around the planet. photo: Orin Langelle

Langelle will be a Featured Artist and Lecturer

Earth Month Exhibit:  Extreme Weather – Portraits of Struggle

April 17th to May 1st, 2019

Hoover-Price Campus Center

420 W Simpson St, Alliance, OH

Free and Open to the Campus Community and the Public

 

Artist Reception and Presentation

April 25th, 2019 – 4 p.m. to 6 pm. 

Hoover-Price Campus Center Alumni Room

420 W Simpson St, Alliance, OH

Free and Open to the Campus Community and the Public

 

Press Release:

For Immediate Release                                                                       April 9, 2019

Available for interviews: Orin Langelle  <[email protected]>

Photojournalist Known for Documenting Environmental

Justice Struggles Presents Images of Climate Change

University of Mount Union Showing

Buffalo, NY— Award-winning documentary photographer Orin Langelle shows his exhibit, Extreme Weather – Portraits of Struggle, this month at the University of Mount Union. The exhibit opens on April 17 and runs to May 1 in the Hoover-Price Campus Center, 420 W Simpson St, Alliance, OH.

Langelle’s body of work spanning over five decades specializes in social and environmental justice struggles. He was recently interviewed on WBDX in Southern Illinois about this exhibit at Southern Illinois University at Carbondale.  The interview can be found here.

There will be an Artist Reception and Presentation on April 25, from 4 p.m. to 6 p.m. at the Hoover-Price Campus Center’s Alumni Room. Langelle will speak on the many social and political reasons why the Earth is facing climate catastrophe.

Langelle stated, “My photographs are united by the intertwined threads of social, economic or ecological injustice and peoples’ resilience or resistance to them. Showing how these issues are intrinsically linked is crucial to understanding the whole–to seeing the big picture–instead of compartmentalizing each separately. I believe we must understand that everything is interconnected. The root causes of these problems are often one and the same.”

Langelle is the Director of Langelle Photography which is a component of the Global Justice Media Program of Global Justice Ecology Project with offices in New York State and Florida.

Jeff Conant, Director, Friends of the Earth’s international forests program said, “Orin Langelle is one of the great documentarians of the last several decades…You look at his photos and you cannot forget that power concedes nothing without a struggle…and that this struggle takes place somewhere, somehow, everyday and everywhere”

Both events are free and open to the campus community and the public.

 

 

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Don’t miss tonight’s event of poetry and spoken word at ¡Buen Vivir! Gallery for Contemporary Art – from #notwhitecollective – you’ll feel sorry if you miss it!

#notwhitecollective member Sara Tang in impromptu performance last during the collective’s opening of “In Between the Middle” yesterday evening. The exhibit runs through June 7, 2019 at Buffalo’s ¡Buen Vivir! Gallery for Contemporary Art. photo: Orin Langelle

Saturday, April 6, 2019, 7-9 p.m.

¡Buen Vivir! Gallery for Contemporary Art (148 Elmwood Avenue, Buffalo NY 14201).

Pittsburgh-based #notwhite collective and Buffalo poets celebrate National Poetry Month

The Pittsburgh-based #notwhite collective, a group of 12 women artists of bi/multi-racial/cultural, immigrant- or descendant-of-immigrants backgrounds, will present an evening of poetry and spoken word with Buffalo poets on Saturday, April 6, from 7-9 p.m.

The event kicks off the first weekend of National Poetry Month and is presented in conjuction with the Buffalo premiere of the collective’s art exhibit, In Between the Middle the ¡Buen Vivir! Gallery for Contemporary Art.

Performers include Buffalo artists Danielle AJ, Bianca L. McGraw and N’gana, who will be joined by #notwhite collective members: Madame Dolores, HollyHood, Fran Flaherty, Carolina Loyola-Garcia, Liana Maneese, Maritza Mosquera and Sara Tang. The event is open to the public, and ASL interpretation will be provided. Visit www.notwhitecollective.com or ¡Buen Vivir! Gallery for Contemporary Art for more information.

 

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I was honored last week to present some of my photography for a class, ‘Resilience: Through the Lens’ to community photographers in Buffalo, NY.

The largest Ayoreo concentration camp is Campo Lorro, Paraguay. photo: Langelle

‘Resilience: Through the Lens’ was organized by Rebecca Newberry, the Executive Director of The Clean Air Coalition of Western New York, and Lauren Tent, the Education Director for the CEPA Gallery | Contemporary Photography and Visual Arts Center. My presentation to the class was held on October 4, 2018 at the CEPA Gallery.

Woman and daughter walking—another way out of Amador Hernandez is to walk the fifteen kilometers. The community was slated for forced relocation but resisted. photo: Langelle

I’m a member of CEPA and a co-recipient of Gallery’s 2017 Member’s Exhibition Award (please see the bottom of this post for further information regarding that exhibition and my subsequent solo show at CEPA’s Flux Gallery).

Although part of my presentation concerned my national and international photography that I have used to expose social, economic and ecological injustice, my main focus was my work with people of different communities. I showed photographs of the first concentration camp of Ayoreo Indigenous Peoples in Paraguay (above left), resistance in Amador Hernandez, an Indigenous village in the jungle of Mexico’s state of Chiapas (second above left) and most recently a detailed look into my work with Union Hill, a historic Black community founded by Freedmen and slaves.

Two members of the Union Hill community in Buckingham County, Virginia read a list of who was buried in this basically unmarked slave and Freedmen cemetery. The cemetery was hidden for many years. The list also contained the amount slave traders sold people to slave owners. photo: Langelle

The community of Union Hill is fighting the Atlantic Coast Pipeline and a 55,000 horsepower compressor station planned by Dominion Energy. There are Freedmen and slave unmarked burial sites on or near the site where Dominion wants to build the compressor station.

Local residents see Dominion Energy’s disregard for their community as part of an established pattern of environmental racism in Virginia. The African American community fighting the Atlantic Coast Pipeline is a strong and proud community.

While at the burial site in Union Hill (above right) I was allowed to capture the intense feelings of the people present. To all it was a sad moment but, also a sense of closure to know where their ancestors are buried.

I discussed the impact that my photos and strategic communications had – and are still having.

This was no doubt one of my best experiences in sharing my images that are meant to foster social change while documenting history. The attendees at CEPA asked very pertinent questions and we engaged in an inspiring dialogue about photography and social change.

More on Orin Langelle and CEPA

On January 27, 2017 the CEPA Gallery (Contemporary Photography & Visual Arts Center) opened its yearly CEPA Gallery Members’ Exhibition. CEPA Gallery’s 2017 Members’ Exhibition featured the photography and photo-related work of some of Western New York’s most talented artists.

Photographers Natalie Dilenno and Orin Langelle received the 2017 Exhibition Awards.

The Exhibition Awards provided both Langelle and Dilenno to have solo exhibits at the CEPA Gallery in 2018.

Langelle Photography is a component of Global Justice Ecology Project‘s Global Justice Media Program

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Please view the exhibit here HERE

PREMIER EXHIBIT @ CEPA: CONTEMPORARY PHOTOGRAPHY & VISUAL ARTS CENTER

January 26 – February 24, 2018 at CEPA’s FLUX Gallery (1st Floor), 617 Main Street, Buffalo, NY 14203

Shut out – Indigenous Peoples’ protest at United N Climate Conference. (Bali, Indonesia 2007)

CEPA Gallery is pleased to present, Portraits of Struggle, a selection of photographs spanning four decades by award winning photographer and activist Orin Langelle. Continued on CEPA’s Portraits of Struggle page.

 

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And now for something completely different:

Photograph by fellow board member Clayton Thomas-Muller.

Photograph by fellow board member Clayton Thomas-Muller.

Taken at a restaurant in Burlington, VT during the Global Justice Ecology Project’s board meeting in 2013.

Besides being board chair and co-founder of GJEP, Langelle is a concerned photographer, director of Langelle Photography and curator of the newly opened ¡Buen Vivir! Gallery in Buffalo, NY.

Clayton Thomas-Muller is a member of the Mathias Colomb Cree Nation, also known as Pukatawagan in Northern Manitoba, Canada. He is involved with many organizations and struggles to protect Indigenous Peoples’ rights and the Earth.

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