LANGELLE PHOTOGRAPHY

Using the power of photojournalism to expose social and ecological injustice

Posts from the ‘Indigenous Struggles’ category

I am running Standing Rock news on the Langelle Photography web page for many reasons. LANGELLE PHOTOGRAPHY is part of the Social Justice Media Program of Global Justice Ecology Project and we Stand With Standing Rock. Even though I am not in Standing Rock taking photographs, as a concerned photographer, my goal is to document and expose the reality of social and ecological injustice—much of which is linked with the struggle for the land— and to educate and change the world, not just to record it. For more up to the minute news please go to our ally’s site: Indigenous Environmental Network’s Standing Rock – Orin Langelle

PRESS CONFERENCE

Source: RT

Standing Rock activists said they would continue to stand their ground in the fight against the crude oil Dakota Access Pipeline, in defiance of a US Army Corps notice which stated that the location of a protest camp will be out of bounds from December 5.

Supporters of indigenous tribes oppose the 1,172 mile pipeline from North Dakota to Illinois over water contamination fears and its proximity to the Standing Rock Indian reservation.

In a press conference held at the Oceti Sakowin protest camp, members of the indigenous community gave a united response to a letter sent to Standing Rock tribal chairman Dave Archambault II informing of possible evictions north of the Cannonball River.

Protesters, who call themselves water protectors, are currently camped on federal land alongside North Dakota’s Highway 1806 and the Missouri River.

On Friday, the US Army Corps of Engineers announced plans to close the portion of federal land occupied by the water protectors due to “violent confrontations” and risks of serious injury due to the “harsh North Dakota winter conditions.”

In response, Dallas Goldtooth, a member of the Indigenous Environmental Network, described the Army Corps of Engineer’s letter as a “disgusting continuation of 500 years of colonization and systemic oppression”.

“It’s absurd for us to see such a declaration a day after Thanksgiving but that’s the state of affairs that we are in,” he told reporters at a press conference on Saturday.

He added that all tribes concerned with the pipeline will “stand strong”.

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This Sunday, 31 January, Orin Langelle will be in Toronto for a  Learning Activism launch party with the book’s author, close friend and colleague, Aziz Choudry at ‘Another Story Bookshop.’ The book was published by the University of Toronto Press.  Langelle will give a slideshow of his photographs that illustrate the book, including the cover, as well as photos exhibited at Buffalo, NY’s ¡Buen Vivir! Gallery, which he directs. Langelle will explain history behind the photographs and the struggles they represent. Following the discussion by Choudry and Langelle, there will be a question and answer period.

Aziz Choudry is Associate Professor in the Department of Integral Studies in Education at McGill and Visiting Professor in the Center for Education Rights and Transformation at the University of Johannesburg. He has been on the Board of Directors of Global Justice Ecology Project since its its founding in 2003 by Langelle and Anne Petermann.

The launch party is free and open to the public.  RSVP for the event on the bookstore Facebook page.

Below the poster is UTP’s description for the book followed by a paragraph about Langelle written by Choudry that appears in the book.

**Choudry at Another Story Poster

Described by the University of Toronto Press:

What do activists know? Learning Activism is designed to encourage a deeper engagement with the intellectual life of activists who organize for social, political, and ecological justice. Combining experiential knowledge from his own activism and a variety of social movements, Choudry suggests that such organizations are best understood if we engage with the learning, knowledge, debates, and theorizing that goes on within them. Drawing on Marxist, feminist, anti-racist, and anti-colonial perspectives on knowledge and power, the book highlights how activists and organizers learn through doing, and fills the gap between social movement practice as it occurs on the ground, critical adult education scholarship, and social movement theorizing. Examples include anti-colonial currents within global justice organizing in the Asia-Pacific, activist research and education in social movements and people?s organizations in the Philippines, Migrant and immigrant worker struggles in Canada, and the Quebec student strike. The result is a book that carves out a new space for intellectual life in activist practice.

Choudry from Learning Activism on Orin Langelle:

The photographs that illustrate this book are another important example of preserving movement histories. These photos by US activist and photojournalist Orin Langelle transcend the sometime clichéd “protest” images that we often see. Integrating photography into organizing/education initiatives, especially around climate justice, anti-globalization, food sovereignty, and Indigenous resistance struggles, his work is a historically informed look at social movements, struggle and everyday life. In Langelle’s words, his photographic work aims to ‘counter the societal amnesia from which we collectively suffer—especially with regard to the history of social and ecological struggles. This is not merely a chronicling of history, but a call out to inspire new generations to participate in the making of a new history.’ Langelle writes that he strives ‘not just to document and expose the harsh reality of injustice—much of which is linked with the struggle for the land—but to inspire viewers to participate in changing the world, while helping empower those striving for justice because they know that photographs of their struggle are revealed to a larger audience.’ As Langelle says, in contemporary struggles for change,we cannot afford societal amnesia.

Special Note:

Seven photographs from Orin Langelle’s last exhibit, The End of the Game – The Last Word from Paradise, Revisited are included in a show at the Gordon Parks Foundation in Pleasantville, NY. Langelle’s photos document Peter Beard’s first one-person show at the International Center of Photography in Manhattan in 1977.

The exhibit at the Parks Foundation, Gordon Parks: Collages by Peter Beard, features artwork made by Beard over the course of the long friendship between him and Parks. The exhibit is open through April 23.

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Below John’s photograph and caption is an email I received from Global Justice Ecology Project board member and a long time personal friend, Karen Pickett. I think Karen expresses beautifully what many of us will remember for quite some time: R.I.P. John Trudell.
Trudell (Santee Sioux) was a spokesperson for the Indians of All Tribes occupation of Alcatraz Island from 1969 to 1971 and served as Chairman of the American Indian Movement (AIM) from 1973 to 1979. In 1982, Trudell began recording his spoken word poetry with music. An example of his spoken word poetry is in Mike Mease’s video “Buffalo Wild,” below.

Trudell (Santee Sioux) was a spokesperson for the Indians of All Tribes occupation of Alcatraz Island from 1969 to 1971 and served as Chairman of the American Indian Movement (AIM) from 1973 to 1979. In 1982, Trudell began recording his spoken word poetry with music. An example of his spoken word poetry is in Mike Mease’s video “Buffalo Wild,” below.

We have lost one who was wise beyond his human form.  A shining light when he talked, or recited his poetry, getting the brain synapses whizzing around, evoking tears, laughter, pens scribbling in a scrap of paper so you could come back to it and think about that one later…these ideas about energy, power, coherence.  I really latched on to his breaking down of power and what it really is when you’re a human being.

He was only 69.
On this same day 35 years ago, we lost John Lennon.
The sky is dark tonight—no moon

How did he shine after all he had been through? Subject to the FBI’s COINTELPRO tactics, and all the rest a radical thinker and activist bucking the system might be subject to. He came to Berkeley years ago, a year or 2 before the Judi Bari vs FBI trial and we had a ranging conversation about strategy, response, carrying on. It was very valuable for me…he was someone who was not only attacked himself, but lost his partner and children in a fire of questionable cause while he was in Washington DC burning the American flag.

In recent years, I was fortunate enough to see John and interact with him when he joined the Buffalo Field Campaign for their Bay Area road shows, which I was always involved with.  A little more than a year ago, he wrote a poem—Buffalo Wild—that is now in a video produced by Mike Mease, co-founder of BFC with the poem put to music by Goodshield and Mignon, who also tour with BFC. I include this link from You Tube:

As I write, I am listening to John’s CD released this year: Wazi’s Dream.
In “Earthling”, he not only says
“I am no more important nor less important in spiritbeing than any other of the species…”

but also
“I carry the energies of
the suns and universes
from the time before time
into the beyond beyond beyond
from where stars get their light”

Perhaps that’s where he’s gone, into the beyond, beyond beyond.
Blessed travels, John.

 

Please visit http://johntrudell.com

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The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo ©: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

Paris, France – Telling the story of the growing global demand for climate justice, featuring images from photographers in Australia, Croatia, Romania, the UK and the USA. This exhibition is on display in Paris during the UNFCCC COP 21 negotiations, at the Climate Action Zone (ZAC), 7-11 December. The address is Room Ecuries C, Centquatre, 5, rue Curial, 75019 Paris. (The closest metro stations are Stalingrad and Riquet.)

It includes images from the following Critical Information Collective photographers, in panels of six images: David Tao (Australia), Luka Tomac (Croatia), Bogdan Bousca (Romania), Orin Langelle (USA), Jason Taylor (UK), and JudithDeland (Australia). There is a seventh panel comprising images from Stephen D Melkisethian (USA), Susan Melkisethian (USA), Joseph O Holmes (USA) and Ronnie Hall (UK).

For the exhibit, please go to UN Climate Conference of the Parties 21 (COP 21) Exhibition: Climate Change—Realities and Resistance

The second showing of this exhibit will be at the ¡Buen Vivir! Gallery in Buffalo, NY. The exhibit opens there on 4 March 2016. That show will include work by artist Ashley Powell.

Notice that Orin Langelle, Buen Vivir! Gallery director, has one of the panels, Struggles for Justice, with six photographs in the Paris show, that is coming to Buffalo.

 

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This review of my exhibit was by Jack Foran was published in Artvoice Weekly Edition » Issue v14n23 (06/11/2015) » Art Scene. Artvoice (print and web) is one of Buffalo, NY’s two major alternative weeklies. Additionally, the exhibit continues through June 19, at which time I’ll give a walk-through and talk about the various photos, scheduled from 6 to 8 pm. Wine and hors d’oeuvres provided. The ¡Buen Vivir! Gallery is located at 148 Elmwood Avenue, Buffalo, NY 14201- OL

PORTRAITS OF STRUGGLES

ORIN LANGELLE’S PHOTOGRAPHS ON DISPLAY AT ¡BUEN VIVIR! GALLERY

By Jack Foran

Photographer Orin Langelle’s website concludes with two quotations. From Brazilian educator and philosopher Paolo Freire: “Washing one’s hands of the conflict between the powerful and the powerless means to side with the powerful, not to be neutral.” And folksinger and activist Phil Ochs: “It is wrong to expect a reward for your struggles. The reward is the act of struggle itself, not what you win. Even though you can’t expect to defeat the absurdity of the world, you must make that attempt. That’s morality, that’s religion. That’s art. That’s life.” They pretty much sum up Langelle’s life and work.

A potpourri of his witness to the struggle photos from the 1980s and 1990s is currently on view at his r1¡Buen Vivir! gallery on Elmwood in Allentown. Including the iconic photo of an unidentified environmental activist, poised on a log tripod construction, arm and fist raised in spirited gesture of we shall overcome, at a training camp in non-violent disruption techniques in Vermont in the late ‘90s.

r2The exhibit is dedicated to the memory of activist Judi Bari (1949-1997), an activist against redwood logging in northern California who narrowly escaped death when her car was blown up by a pipe bomb—following which she was arrested by the FBI on charges of eco-terrorism. The FBI alleged she had been transporting explosives. Laboratory and other analyses discovered that the explosives inr3 question were placed directly under the driver’s seat and equipped with a motion sensor trigger to cause them to detonate when the car was driven, whereupon the Oakland District Attorney declined to press the FBI charges. Bari filed a violation of civil right suit on matters including false arrest and illegal search. Five years after her death her estate was awarded $4 million in the case.r4

The targets of the protests to which Langelle’s photos bear witness range from roadway expansion schemes in London, England, to golf course expansion and development of condominiums on land sacred to the Mohawk Indians, to logging activities within the Trail of Tears State Forest r5in Illinois, to Hydro-Quebec plans for hydroelectric production facilities on Cree Indian lands in northern Canada, to a protest against the Tasmanian Forestry Commission, Australia, an agency that is supposed to protect forests from rapacious practices of commercial timber interests, for failing to do so.

r6One photo is of an activist arrested—in New Hampshire—for handing out fliers urging people to write to their representatives in Congress in opposition to a timber harvest scheme in the White Mountain National Forest. Another—in Vermont—shows Abenaki Tribal Chief Homer St. Francis standing up in court, when he was told he was “out of order,” responding, “No, Judge, you’re out of order.” The Abenaki apparently had never ceded their land to any state or federal government, and continued to issue their own license plates and hunting and fishing permits. They were demanding that all Abenaki land be returned to them. Ultimately, the Vermont Supreme Court ruled that all Abenaki claims had been “extinguished due to the increasing weight of history.” History apparently was to blame.

Not all the protest activist photos show protest actions. There is a wonderful portrait of a Cree elder woman, looking ancient and patient—but not infinitely patient—taken during the photographer’s journey to Cree territory to learn about and document the struggle against the Hydro-Quebec project. The second phase of the project, that is. The first phase, the La Grande Project dam, had already flooded thousands of acres of Cree land, displacing resident natives and resulting in environmental devastation such as when an untimely water release drowned 10,000 migrating caribou. The second phase was another dam proposal that was postponed indefinitely following protests in Canada and worldwide. One photo shows protesters in front of the Quebec consulate in London with a banner denouncing the hydropower scheme. The second phase was ironically well-named. It was called the Great Whale Project.

The exhibit continues through June 19, at which time Langelle will give a walk-through and talk about the various photos, scheduled from 6 to 8 pm.

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The show opened 3 April 2015.

struggle final show

Please come to this closing reception and gallery walk-through – refreshments include wine and hors d’oeuvres.

Struggles for Justice is the last show in the present gallery space.  The ¡Buen Vivir Gallery is moving to the first floor of the same location at 148 Elmwood Ave., in Buffalo’s Allentown. The Grand re-opening of the gallery will be on 7 August 2015 with a photo exhibit by Anne Petermann entitled Triumph Over Tragedy.

Anne Petermann is the Executive Director of Global Justice Ecology Project and the Coordinator of the international Campaign to STOP Genetically Engineered Trees.

 

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Ecological perspectives for Science and and Society

Ökologische Perspektiven Für Wissenschaft Und Gesellschaft

photo: Langelle

photo: Langelle

The photograph was used by the European journal GAiA for the cover of their first 2015 publication.

GAiA describes itself as an inter- and transdisciplinary journal for other interested parties concerned with the causes and analyses of environmental and sustainability problems and their solutions.

For more information on this 2015 GAiA issue and how to purchase it, please find it here.

I took this photograph in Bali, Indonesia in 2007 of an Indigenous man with his mouth covered by a UNFCCC (United Nations Framework Convention on Climate Change) gag during an Indigenous Peoples’ protest at the climate conference.

Indigenous peoples were protesting their exclusion from the official negotiations even though it is their lands that are being sought to provide resources and carbon offsets to allow companies to pursue business as usual in the face of mounting climate disasters. – Orin Langelle

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Forest Cover 47: Bioenergy Special Edition, covers many different issues that are very much connected to the fate of our planet including bioenergy, and all that that falls under that category. Covered also are  genetically engineered trees, GMO soy, unsustainable livestock production and much more.

I photographed the front and back covers of this publication, Forest Cover 47: Bioenergy Special Edition, by the Global Forest Coalition.  The front cover was photographed in Mapuche Territory (Chile). And my photo essay “The Pillaging of Paraguay” is featured inside.

The print edition can be downloaded in this hi-resolution PDF.  To subscribe to future editions of Forest Cover, please send an email to <gfc@globalforestcoalition.org>

***forestcover-big2-1

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Note: I had the pleasure of attending the The Indigenous Environmental Network Campaign to STOP GE Trees Action Camp in the Qualla Boundary, North Carolina. The following article is being picked up by various media.  Orin Langelle 13 October 2014 – Indigenous Peoples Day

GE Trees: Another Form of Colonization

13 October 2014 – From the Indigenous Environmental Network and the Campaign to STOP GE Trees

Source: The Campaign to STOP GE Trees

Qualla Boundary, North Carolina–In the shadow of Columbus Day and the legacy of colonization in the Americas, the Indigenous Environmental Network [1] and Eastern Band of Cherokee community members organized a gathering of Indigenous Peoples from across the Southeastern US for an historic Indigenous Peoples’ action camp against genetically engineered trees (GE trees). Participants condemned GE trees as a form of colonization of the forest.

Danny Billie of the Independent Traditional Seminole Nation, based in Florida points out how real forests "mean life to The People, but Ge trees mean death." Photo: PhotoLangelle.org

Danny Billie of the Independent Traditional Seminole Nation, based in Florida points out how real forests “mean life to The People, but Ge trees mean death.” Photo: PhotoLangelle.org

The Indigenous Environmental Network Campaign to STOP GE Trees Action Camp focused on building an information-sharing and mobilization network of tribal representatives and community members to address the unique threats posed by GE trees to Indigenous Peoples, their culture, traditions and lifeways. Steering Committee members of the Campaign to STOP GE Trees [2] were invited to present concerns about the social and ecological dangers of GE trees.

“All trees and the variety of life that depend on forest biodiversity have historically and will in the future continue to be a necessary part of Indigenous culture and survival, which GE trees directly threaten,” stated BJ McManama, an organizer with the Indigenous Environmental Network.

The action camp, which took place in the mountains of North Carolina, detailed threats of genetically engineering forms of native trees traditionally used by eastern Indigenous Peoples, specifically the American chestnut.

Cherokee participants expressed fears that American chestnuts, genetically engineered with DNA from unrelated species, would negatively impact their traditional lifeways, saying that GE trees are dead trees with no soul.

Lisa Montelongo, a Cherokee community member, mother of four and grandmother of two speaks of her concerns that Ge trees would impact future generations. Photo: PhotoLangelle.org

Lisa Montelongo, a Cherokee community member, mother of four and grandmother of two speaks of her concerns that Ge trees would impact future generations. Photo: PhotoLangelle.org

“I’m very concerned that GE trees would impact our future generations and their traditional uses of trees. Our basket makers, people that use wood for the natural colors of our clay work–there would be no natural life, no cycle of life in GE tree plantations,” said Lisa Montelongo of the Eastern Band of the Cherokee.

Genetically engineered eucalyptus trees also threaten Indigenous lands in the US South. GE eucalyptus plantations, proposed by GE tree company ArborGen, are planned from South Carolina to Florida to Texas. The future development of millions of acres of non-native and invasive GE eucalyptus trees would threaten Indigenous lands throughout the region with devastating impacts including depletion of water, contamination with toxic herbicides and pesticides and loss of biodiversity.

“This needs to be stopped immediately. This is not how the forest was meant to be used.  The forest gives life to The People, but these GE trees mean death. They are not for The People, they are only to make money for a few rich people,” said Danny Billie of the Independent Traditional Seminole Nation, based in Florida.

100% of participants at the camp oppose the release of GE trees.

Notes:
1] Indigenous Environmental Network is a member of the Steering Committee of the international Campaign to STOP GE Trees.
2] Presenters included representatives of Biofuelwatch, Global Justice Ecology Project, World Rainforest Movement. The Center for Food Safety also presented.

Additional photos not in above article – all by PhotoLangelle.org:

T-shirt of the Cherokee woman responsible for feeding those in attendance at the Indigenous Environmental Network Campaign to STOP GE Trees Action Camp.

T-shirt of the Cherokee woman responsible for feeding those in attendance
at the Indigenous Environmental Network Campaign to STOP GE Trees Action
Camp.

Ruddy Turnstone from the international steering committee of the Campaign to STOP Genetically Engineered Trees and GE trees campaigner for Global Justice Ecology Project.

Ruddy Turnstone from the international steering committee of the Campaign
to STOP Genetically Engineered Trees and GE trees campaigner for Global
Justice Ecology Project.

Frank Billie of the Seminole Tribe from Florida

Frank Billie of the Seminole Tribe from Florida

Youth (bottom right) sit at one of the breakout tables to discuss ge trees. Young people were in attendance at the action camp to learn about issues that would impact their lives.

Youth (bottom right) sit at one of the breakout tables to discuss ge
trees. Young people were in attendance at the action camp to learn about
issues that would impact their lives.

BJ McManama, an organizer from the Indigenous Environmental Network, explains the goals of the Indigenous Environmental Network Campaign to STOP GE Trees Action Camp to those attending.

BJ McManama, an organizer from the Indigenous Environmental Network,
explains the goals of the Indigenous Environmental Network Campaign to STOP
GE Trees Action Camp to those attending.

 

 

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Struggles for Justice: late 1980’s to late 90’s

This Photo Essay was completed in February 2014 in LaBelle, FL – during LaBelle’s Annual Swamp cabbage Festival – for a presentation at a Organizers’ Conference in a nearby forest camp (and for the web). The essay has been edited to produce the Photo Exhibit Struggles For Justice: Forests, Land and Human Rights – Late 80s to Late 90s.

Most of the photographs in the old essay, like the one below, are now in the new exhibit.

Exhibit Online Now 

-*34 Tas takeover02990009“Ned Kelly Bushrangers” drop banner on Forestry Commission Tasmania in Tasmania, Australia.  (1992)

The First International Temperate Forest Conference took place in Tasmania around the time the photo was taken.  The conference led to the formation of the Native Forest Network.

 

All photographs are copyrighted by Langelle Photography (2014), all rights reserved. No photo can be used without the consent of Langelle Photography.  See Publishing and Acquisition Information.

Why Copyright?  One of the reasons I copyright my photographs is to track where these photos are being used in order to monitor the impact of my work and evaluate the effectiveness of Langelle Photography, a nonprofit organization.

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