LANGELLE PHOTOGRAPHY

Using the power of photojournalism to expose social and ecological injustice

Posts from the ‘¡Buen Vivir! Gallery’ category

Note: Ironically I am posting this on the Langelle Photography web page on May Day minus 1, 2017 in Barcelona, Spain; the city where this exhibit was photographed in 2008 – OL

An Opening Reception was held MAY 5th – 6 to 9 p.m. on First Friday at the ¡Buen Vivir! Gallery for Contemporary Art, 148 Elmwood Avenue, Buffalo.

Wine and Hors d’Oeuvres were available

Exhibit closes May 26th

About the exhibit, from photographer Orin Langelle:

“I first exhibited this in Copenhagen, Denmark during the UN Convention on Climate Change in 2009 at the Klimaforum. It can be interpreted in many ways but my original take was on climate change and then others likened it to the fleeting movement of our existence. I’ve been urged by several artists to display the exhibit in Buffalo because they feel, as do I, in the age of Trump, we are in an existential crisis and the concept of humanity is rapidly disappearing.

“I shot the exhibit in Barcelona, Spain in 2008, in two nights while I stood on a balcony ledge photographing the people who passed by on the avenue below.”

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langelle-killsme_dsc_02761Featured Langelle Photography home page slider (right) was taken by Langelle during a protest march in Durban, South Africa during the United Nations Climate Conference in 2011. Langelle has six photographs in this touring show

 

Critical Information Collective Exhibit – World Social Forum 2016

Indigenous protesters at UN climate negotiations in Cancun 2010) Photo: Luka Tomac

Indigenous protesters at UN climate negotiations in Cancun (2010) Photo: Luka Tomac

Montreal, Canada – A photographic exhibit, Climate Change: Realities and Resistance, will be shown at the World Social Forum 2016 in Montreal from 9 – 14 August. This is the Canadian premier of Critical Information Collective‘s touring exhibition.

The World Premier took palace in Paris, France during the United Nations Climate Conference in 2016 and the North American debut was at the ¡Buen Vivir! Gallery for Contemporary Art in Buffalo, New York, 1 March through 29 April 2016.

CIC’s photos in Buffalo, Climate Change—Realities and Resistance, were part of the show Climate Change, System Change, Personal Change. Langellle Photography and ¡Buen Vivir! Gallery Director, Orin Langelle’s portion of the show in Paris, Buffalo and Montreal is entitled Struggles for Justice.

The exhibition in Montreal will include new panels focusing on the theme of industrial livestock farming and its impact on climate change and biodiversity.

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Volunteers Needed for the !Buen Vivir! Gallery

The ¡Buen Vivir! Gallery for Contemporary Art at 148 Elmwood Ave, Buffalo NY, is currently seeking volunteers to help with staffing the gallery during open hours on Fridays 6 – 8 p.m. &  Saturdays 1 – 3 p.m., as well as helping with special projects. Our educational gallery with free admission hosts 3-4 shows per year and was founded to present an historical look at movements for change, struggle and everyday life. If interested please email Carolyn Lansom, Gallery Manager, <carolyn@globaljusticeecology.org> or call 716.931.5833.

Our current show runs through, April 29th Climate Change, System Change, Personal Change features two exhibits:

1. Climate Change—Realities and Resistance, photographs by Critical Information Collective (CIC)
2. Black on the Ground, White in the Air, artwork by Ashley Powell
This multi-faceted art and photographic show is designed to challenge viewers to think about what type of changes are necessary to effectively confront the root causes driving the extreme weather that is occurring globally.

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¡Buen Vivir! Gallery for Contemporary Art announces a special Artist’s Talk for the show Climate Change, System Change, Personal Change by artist Ashley Powell on First Friday, April 1 at 7 p.m. The gallery is located at 148 Elmwood Avenue in Buffalo, NY’s Allentown District.

Artist’s Talk: Powell will discuss her work and its relation to environmental racism, a topic of special relevance right now in light of the rising awareness of rising rates of lead poisoning in poor children and children of color in Flint Michigan, as well as right here in Buffalo.  Powell’s installation challenges people to think about environmental racism and classism.

Artwork: 2016 Ashley Powell, The Solution (To All Our Problems) Water Filter - 2016

Artwork: 2016 Ashley Powell, The Solution (To All Our Problems) Water Filter – 2016

The show Climate Change, System Change, Personal Change includes two interrelated exhibits:

       • Black on the Ground, White in the Air, artwork from Ashley Powell
       • Climate Change—Realities and Resistance, by international photographers from the Critical Information Collective makes its US debut after hanging at the UN Paris climate summit in December

The artist’s talk will be held on First Friday, April 1 at 7 p.m. at the ¡Buen Vivir! Gallery for Contemporary Art, 148 Elmwood Avenue in Buffalo. The gallery will be open for First Friday from 6-9 p.m.

Wine and hors d’oeuvres provided. The show runs through April 29.

For further information please contact Kip Doyle, Media Coordinator, +1.716.867.4080  <kip@globaljusticeecology.org>

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Note: This comes from The Public, a widely read weekly in the Buffalo, NY region. I want to point out that Climate Change: Realities and Resistance is an international exhibit first displayed at the UN climate negotiations in Paris last December. The ¡Buen Vivir! Gallery is pleased to host it’s first viewing in North America. The photography exhibit was curated by the Critical Information Collective.  – Orin Langelle

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Photo: Luka Tomac [Croatia] Indigenous protestors at UNF climate negotiations in Cancun, Mexico (2010)

Photo: Luka Tomac [Croatia] Indigenous protestors at UNF climate negotiations in Cancun, Mexico (2010)

by Evan James

[ART] The ¡Buen Vivir! Gallery presents a thought provoking look at some of today’s most troubling issues in Climate Change, System Change, Personal Change. Intended to explore the causes of climate change, and how racism, classism, and environmental destruction play into it, this show contains Climate Change: Realities and Resistance, a national exhibit featuring pictures from climate photographers, and Black on the Ground, White in the Air, an exhibit from artist Ashley Powell who made national waves with her “White Only” art project at UB. This exhibit opens Friday, March 4 running from 6pm to 9pm, but the exhibit will be on display until April 29.

When:
Fri Mar. 4, 6:00pm

Where:
Buen Vivir

148 Elmwood
Buffalo, NY

This article can be found in The Public here.

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This Sunday, 31 January, Orin Langelle will be in Toronto for a  Learning Activism launch party with the book’s author, close friend and colleague, Aziz Choudry at ‘Another Story Bookshop.’ The book was published by the University of Toronto Press.  Langelle will give a slideshow of his photographs that illustrate the book, including the cover, as well as photos exhibited at Buffalo, NY’s ¡Buen Vivir! Gallery, which he directs. Langelle will explain history behind the photographs and the struggles they represent. Following the discussion by Choudry and Langelle, there will be a question and answer period.

Aziz Choudry is Associate Professor in the Department of Integral Studies in Education at McGill and Visiting Professor in the Center for Education Rights and Transformation at the University of Johannesburg. He has been on the Board of Directors of Global Justice Ecology Project since its its founding in 2003 by Langelle and Anne Petermann.

The launch party is free and open to the public.  RSVP for the event on the bookstore Facebook page.

Below the poster is UTP’s description for the book followed by a paragraph about Langelle written by Choudry that appears in the book.

**Choudry at Another Story Poster

Described by the University of Toronto Press:

What do activists know? Learning Activism is designed to encourage a deeper engagement with the intellectual life of activists who organize for social, political, and ecological justice. Combining experiential knowledge from his own activism and a variety of social movements, Choudry suggests that such organizations are best understood if we engage with the learning, knowledge, debates, and theorizing that goes on within them. Drawing on Marxist, feminist, anti-racist, and anti-colonial perspectives on knowledge and power, the book highlights how activists and organizers learn through doing, and fills the gap between social movement practice as it occurs on the ground, critical adult education scholarship, and social movement theorizing. Examples include anti-colonial currents within global justice organizing in the Asia-Pacific, activist research and education in social movements and people?s organizations in the Philippines, Migrant and immigrant worker struggles in Canada, and the Quebec student strike. The result is a book that carves out a new space for intellectual life in activist practice.

Choudry from Learning Activism on Orin Langelle:

The photographs that illustrate this book are another important example of preserving movement histories. These photos by US activist and photojournalist Orin Langelle transcend the sometime clichéd “protest” images that we often see. Integrating photography into organizing/education initiatives, especially around climate justice, anti-globalization, food sovereignty, and Indigenous resistance struggles, his work is a historically informed look at social movements, struggle and everyday life. In Langelle’s words, his photographic work aims to ‘counter the societal amnesia from which we collectively suffer—especially with regard to the history of social and ecological struggles. This is not merely a chronicling of history, but a call out to inspire new generations to participate in the making of a new history.’ Langelle writes that he strives ‘not just to document and expose the harsh reality of injustice—much of which is linked with the struggle for the land—but to inspire viewers to participate in changing the world, while helping empower those striving for justice because they know that photographs of their struggle are revealed to a larger audience.’ As Langelle says, in contemporary struggles for change,we cannot afford societal amnesia.

Special Note:

Seven photographs from Orin Langelle’s last exhibit, The End of the Game – The Last Word from Paradise, Revisited are included in a show at the Gordon Parks Foundation in Pleasantville, NY. Langelle’s photos document Peter Beard’s first one-person show at the International Center of Photography in Manhattan in 1977.

The exhibit at the Parks Foundation, Gordon Parks: Collages by Peter Beard, features artwork made by Beard over the course of the long friendship between him and Parks. The exhibit is open through April 23.

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The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

The industrial revolution may have brought technological advances, but its reliance on fossil fuels also means that dirty technologies have proliferated, with consequences for our environment and our climate. Photo ©: Bogdan Bousca (Romania) bogdanbousca.finegallery.net

Paris, France – Telling the story of the growing global demand for climate justice, featuring images from photographers in Australia, Croatia, Romania, the UK and the USA. This exhibition is on display in Paris during the UNFCCC COP 21 negotiations, at the Climate Action Zone (ZAC), 7-11 December. The address is Room Ecuries C, Centquatre, 5, rue Curial, 75019 Paris. (The closest metro stations are Stalingrad and Riquet.)

It includes images from the following Critical Information Collective photographers, in panels of six images: David Tao (Australia), Luka Tomac (Croatia), Bogdan Bousca (Romania), Orin Langelle (USA), Jason Taylor (UK), and JudithDeland (Australia). There is a seventh panel comprising images from Stephen D Melkisethian (USA), Susan Melkisethian (USA), Joseph O Holmes (USA) and Ronnie Hall (UK).

For the exhibit, please go to UN Climate Conference of the Parties 21 (COP 21) Exhibition: Climate Change—Realities and Resistance

The second showing of this exhibit will be at the ¡Buen Vivir! Gallery in Buffalo, NY. The exhibit opens there on 4 March 2016. That show will include work by artist Ashley Powell.

Notice that Orin Langelle, Buen Vivir! Gallery director, has one of the panels, Struggles for Justice, with six photographs in the Paris show, that is coming to Buffalo.

 

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Global Justice Ecology Project and the ¡Buen Vivir! Gallery invite you to our annual winter Solstice Party.  This is also the closing reception of the gallery exhibit The End of the Game, The Last Words from Paradise – Revisited.

This year the party and closing reception take place on Thursday, December 17th from 6-9 p.m. at the ¡Buen Vivir! Gallery at 148 Elmwood Avenue in Buffalo.

​Camel's Hump, Vermont. Photo: Petermann

​Camel’s Hump, Vermont. Photo: Petermann

Gallery Director Orin Langelle and GJEP Executive Director Anne Petermann will give brief presentations at 7 p.m. about the mission of the gallery and GJEP including ways you can get involved.

There will be music, wine, hors d’oeuvres, and we will celebrate the Solstice and the return of longer days.

We also hope to have some exciting news to share about a new venue for Orin Langelle’s historic exhibit: The End of the Game – The Last Word from Paradise, Revisited. If you haven’t seen it yet, this will be your last chance to see it in Buffalo…

​Truman Capote with Peter Beard at Studio 54 during Beard’s 40th birthday party. This photo by Orin Langelle was published in the Adventures and Misadventures of Peter Beard in Africa, by Jon Bowmaster (1993)

​Truman Capote with Peter Beard at Studio 54 during Beard’s 40th birthday party. This photo by Orin Langelle was published in the Adventures and Misadventures of Peter Beard in Africa, by Jon Bowmaster (1993)

Event is Free and Open to the Public. Casual dress.

See you there!

Info: 716.931.5833

Anne Petermann
Orin Langelle

 

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unnamed-3The ¡Buen Vivir! Gallery is pleased to be able to release the online version of the exhibit that appeared in our gallery last July.  This documentary Multimedia online essay is titled: Free Speech – Earth Liberation Front Press Office April 5, 2001: Communications Equipment Seized by FBI Released 14 Years Later (Returned Objects: A Multimedia Art Installation)

Below is an edited excerpt from the Gallery statement about the exhibit:

Art means many different things

At the ¡Buen Vivir! Gallery, the exhibits we choose illustrate and demonstrate the intersection of the realms of art and politics regarding the times in which we live.

Sometimes art should creatively communicate the reality hidden behind the propaganda we encounter in or our daily lives, where most communication is designed to sell something you probably do not need or that makes you feel good about yourself–from McMansions to reality shows, to drugs and/or belief systems with  no mental challenge.

In this exhibit, we demonstrate how art and Free Speech are intrinsically tied together. Fourteen years ago the FBI raided the Earth Liberation Front’s Press Office in Oregon and confiscated their communications equipment. The equipment seized by the FBI, along with related photography, news clips and Federal Agency documents are now on display online in Free Speech – Earth Liberation Front Press Office April 5, 2001: Communications Equipment Seized by FBI Released 14 Years Later (Returned Objects: A Multimedia Art Installation)

A group of artists and activists worked almost a month to turn a pile of obsolete office equipment seized from Burning Books co-owner Leslie James Pickering during the 2001 FBI raid into an installation highlighting free speech, art and state repression.

In addition to the now released office equipment (still tagged as evidence), the show features censored government documents, photographs, first-hand accounts, and statements by Pickering and Civil Rights attorney Michael Kuzma.

It is ludicrous and absurd that the FBI held these objects for fourteen years. If there were any incriminating evidence, it would likely have been found very quickly. The seizure of the equipment, and its confiscation for fourteen years, was intended to squash free speech.

This exhibit is about art, the repression and liberation of free speech and maybe a subliminal or not so subliminal message: In a world where we see more and more potentially apocalyptic scenes, especially with increasingly common climate catastrophes, is “civilization” and the dominant economic system pushing the inhabitants on Earth to the brink?

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A photo exhibit, The End of the Game – The Last Word from Paradise, Revisited opened at the ¡Buen Vivir! Gallery in Buffalo. Friday, 9 October 2015. Photos by Orin Langelle.  It will continue through 17 December with a special Allentown First Friday Reception on 6 November.

The Gallery is located at 148 Elmwood Avenue in Buffalo. Hours are from 1:30 to p.m. to 4 p.m. Tuesday through Friday, 6 to 8 p.m. Friday evenings and I to 3 p.m. on Saturdays.

1977, International Center of Photography

 Jackie Kennedy Onassis and Peter Beard at his 1977, International Center of Photography opening in Manhattan, The End of the Game – The Last Word from Paradise.

2015 is the 50th anniversary of artist Peter Beard’s book, The End of the Game – The Last Word from Paradise. Beard spent many years in Africa documenting the impact of Western civilization on elephants, other wildlife and the people who lived there. In 1977 Beard had the first one-person show at Manhattan’s International Center of Photography, The End of the Game – The Last Word from Paradise.

Over four months, Orin Langelle photographed Beard and the people, many celebrities, that were part of Beard’s life prior to and during the exhibit’s installation and the subsequent opening, plus Beard’s 40th birthday party at Studio 54 in January of 1978.

Langelle’s photographs are of events surrounding Beard’s 1977’s The End of the Game – The Last Word from Paradise. The ICP installation consisted of Beard’s photographs, elephant carcasses, burned diaries, taxidermy, African artifacts, books and personal memorabilia. In the early 60s Beard worked at Kenya’s Tsavo National Park, during which time he photographed and documented the demise of over 35,000 elephants and 5,000 Black Rhinos.

Poster: Peter Beard hhotos

Poster: Peter Beard photos

Langelle’s work at the International Center of Photography gave him a rare insight into Beard, whose controversial views on ecology then, are just as relevant today.

With the support of the Peter Beard Studio, ¡Buen Vivir! presents this exhibition to commemorate the 50th anniversary of Beard’s book, The End of the Game – The Last Word from Paradise.

The book, soon to be released, can be ordered from Taschen.

Below are two photos from the opening of the ¡Buen Vivir! Gallery exhibit in Buffalo last Friday 9 October taken by Anne Petermann, Executive Director, Global Justice Ecology Project.

*W A4

*W A5

More photos, like the one below from the exhibit can be found here

4***7PS-Truman Capote_ICP-OL-7Peter Beard and Truman Capote at Beard’s 40th birthday party, 22 January 1978, held in Studio 54

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